BAROQUE (c. 1600–1750)
- VIVALDI (1678–1741)
The Four Seasons
Concerto in D major for Flute and Orchestra
Concerto for Two Violins, Strings and Continuo
- GLUCK (1714–1787)
Orfeo ed Euridice
- HANDEL (1685–1759)
Organ Concerto op. 4 nos. 1 & 4
CLASSICAL (c. 1750–1820)
- BOCCHERINI (1743–1805)
Symphony op. 12 no. 4 “The Devil’s House”
- HAYDN (1732–1809)
Symphonies nos. 44, 45, 49, 88, 101
Piano Concerto no. 11
- MOZART (1756–1791)
Eine kleine Nachtmusik; Three Divertimenti for Strings; Symphonies KV 183, 201, 385, 425, 543, 550, 551
Concertos KV 191, 216, 314, 417, 414, 488
Le Nozze di Figaro; Don Giovanni; Così fan tutte
- BEETHOVEN (1770–1827)
Symphonies nos. 1, 2, 4, 5, 6, 7
Piano Concertos nos. 1 & 3; Violin Concerto
Overtures: Egmont, Coriolan, Fidelio
- SCHUBERT (1797–1828)
Symphonies nos. 3 & 5
ROMANTIC (c. 1820–1900)
- MENDELSSOHN (1809–1847)
Symphonies op. 11, 56 (“Scottish”), 64 (“Italian”); Violin Concerto op. 64; Hebrides Overture
- CHOPIN (1810–1849)
Piano Concerto no. 1
- SCHUMANN (1810–1856)
Symphony no. 3; Cello Concerto
- ROSSINI (1792–1868)
Overtures: Il signor Bruschino, L’Italiana in Algeri, Il Barbiere di Siviglia, Guglielmo Tell
- BELLINI (1801–1835)
Oboe Concerto; Norma
- DONIZETTI (1797–1848)
Don Pasquale; L’elisir d’amore
- VERDI (1813–1901)
La forza del destino; Il trovatore; Excerpts from La Traviata, Rigoletto
- PUCCINI (1858–1924)
Tosca; Suor Angelica; Prelude from Edgar; La Tregenda from Le Villi; Excerpts from Manon Lescaut; Preludio Sinfonico
- LEONCAVALLO (1857–1919)
Pagliacci
- MASCAGNI (1863–1945)
Cavalleria Rusticana; Il sogno – Intermezzo from Guglielmo Ratcliff
- GIORDANO (1867–1948)
Prelude from Siberia; Excerpts from Andrea Chénier; Intermezzo from Fedora
- RIMSKY-KORSAKOV (1844–1908)
Scheherazade
- BRAHMS (1833–1897)
Symphonies nos. 1 & 2; Piano Concerto no. 2
- WAGNER (1813–1883)
Die Meistersinger – Overture
- BERLIOZ (1803–1869)
Symphonie Fantastique
- TCHAIKOVSKY (1840–1893)
◦ Serenade for Strings; Concertos (Piano op. 23, Violin op. 35); Romeo and Juliet – Fantasy Overture; Symphony nos. 4 & 5
LATE ROMANTIC / EARLY 20th CENTURY
- RACHMANINOV (1873–1943)
Symphonic Dances
- MUSSORGSKY (1839–1881)
Night on Bald Mountain (orchestraded by Rimsky-Korsakov)
Pictures at an exhibition (orchestraded by Ravel)
- DEBUSSY (1862–1918)
La Mer; Prélude à l’après-midi d’un faune
- RAVEL (1875–1937)
Pavane pour une infante défunte
- STRAVINSKY (1882–1971)
Octet; Dumbarton Oaks
- MAHLER (1860–1911)
Symphony no. 4
- DVORAK (1841–1904)
Serenade for Strings; Excerpts from Rusalka; Symphonies nos. 7 & 9; Symphonic Variations
- ELGAR (1857–1934)
Serenade for Strings; Enigma Variations; Elegy for Strings
- GRIEG (1843–1907)
Holberg Suite
- HOLST (1874–1934)
St. Paul’s Suite; The Planets
- SIBELIUS (1865–1957)
Symphony no. 5; Violin Concerto
- NIELSEN (1865–1931)
Kleine Suite
- WARLOCK (1894–1930)
Capriol Suite
- BOTTESINI (1821–1889)
Double Bass Concerto in B minor
- BERIO (1925–2003)
O King
- BRITTEN (1913–1976)
Simple Symphony; Variations and Fugue on a Theme of Purcell
- SHOSTAKOVICH (1906–1975)
Cello Concertos nos. 1 & 2; Symphony no. 5
- PROKOFIEV (1891–1953)
Symphony no. 1 “Classical”
- RESPIGHI (1879–1936)
Ancient Airs and Dances; Three Chorales; Suite for Strings and Organ
- BARBER (1910–1981)
Adagio for Strings
- ROTA (1911–1979)
Concerto for Strings
- LUTOSŁAWSKI (1913–1994)
Dance Preludes (third version, 1959)
- SWEENEY (20th c.)
Celtic Air and Dance
CONTEMPORARY COMPOSERS (20th-21st c.)
◦ Poe: Contradanse
◦ Adams: The Chairman Dances
◦ Pospisil: Overture for Daydreams